Herbert Read and Selected Works includes four of Herbert Read's most seminal works; A Coat of Many Colours: Occasional Essays, The English Vision: An Anthology, The Tenth Muse: Essays in Criticism and The Politics of the Unpolitical. This collection also includes the title Herbert Read: A Memorial Symposium - a collection of essays that illustrates the many different aspects and achievements of Read's career.

This text deals with the everlasting problem of war and peace. In it, the author argues that mankind must be predisposed for peace by the right kind of education and he discusses how to devise methods of education which will prevent war. This book deals with the everlasting problem of war and peace.

Herbert Read was a maverick character in the cultural life of the twentieth century. A radical leader of the avant garde in the 1930s, and an anarchist revolutionary during the war years, by the time of his death in 1968 he had become a key figure at the heart of the British cultural establishment. To Hell with Culture offers readers an ideal overview of the ideas that marked out this seminal and hugely influential thinker. It is a controversial work that engages the reader in a wide range of topics, from revolutionary art to pornography.
Adept at challenging assumptions and penetrating to the heart of any issue, Read's deft prose encourages the reader to think critically, to question and to subvert the voice of authority, of whatever political or cultural creed. Only through such a critical evaluation of culture, Read believes, can one appreciate the art that arises from the 'unpolitical manifestation of the human spirit'. At a time when authority and value are questionable terms, and when culture itself is a contested concept, Read's is both a challenging and an enlightening voice.

First published in 2000. This is Volume III of seven in the Library of Philosophy series on Philosophy of Religion and General Philosophy. Written in 1924, this is a collection of essays on Humanism and the Philosophy of Art by Thomas Hulme who published five poems as well as commentary and various articles. The current volume has been collated from his daily notebooks and unpublished manuscripts as well as his introduction to Sorel's Reflections on Violence.

In this collection of fourteen essays, first published in 1943, Herbert Read extends and amplifies the point of view expressed in his successful pamphlet To Hell with Culture, which has been reprinted here. The politics of the unpolitical are the politics of those who strive for human values and not for national or sectional interests. Herbert Read defines these values and demands their recognition as a solvent of social and cultural crises', and looks forward to the future with constructive vision. This book will be of interest to students of politics, history, and cultural studies.

The Practice of Psychotherapy brings together Jung's essays on general questions of analytic therapy and dream analysis. It also contains his profoundly interesting parallel between the transference phenomena and alchemical processes. The transference is illustrated and interpreted by means of a set of symbolic pictures, and the bond between psychotherapist and patient is shown to be a function of the kinship libido. Far from being pathological in its effects, kinship libido has an essential role to play in the work of individuation and in establishing an organic society based on the psychic connection of its members with one another and with their own roots.

Written two years after the commencement of the Second World War, the chapters in this book succinctly put forward the case for reorganizing the foundations of the social order, by rejecting capitalism and historical equilibrium, both in Europe and further afield in the British Empire, in favour of building a Socialist civilization.

Since its first appearance in 1931 Herbert Read's introduction to the understanding of art has established itself as a classic of its kind. It provides a basis for the appreciation of paintings, sculpture and art-objects of all periods by defining the elements that went into their making. A compact survey of the world's art, from primitive cave-drawings to Jackson Pollock, The Meaning of Art explains the persistence of certain principles and aspirations throughout the history of art, and summarizes the essence of such movements as Gothic, Baroque, Impressionism, Expressionism and Surrealism. This new Faber Modern Classics edition features a brand new foreword by Will Gompertz, BBC arts editor.

This book, first published in 1957, is a collection of Herbert Read's essays on various topics. The essays explore many different subjects and themes, including art, literature, religion and philosophy. This title will be of interest to a variety of readers.

This title, first published in 1939, is an anthology that's aim was to present the English ideal in its various aspects as expressed by representative Englishmen. This book will be of interest to students of literature and to the general reader.

This book, first published in 1947, is collection of critical essays by Herbert Read that had not been previously published in book form. The essays cover several different subject areas, including literature, art, architecture, and film, from a span of twenty years. This title will be of interest to a variety of readers.

Written two years after the commencement of the Second World War, the chapters in this book succinctly put forward the case for reorganizing the foundations of the social order, by rejecting capitalism and historical equilibrium, both in Europe and further afield in the British Empire, in favour of building a Socialist civilization.

In this collection of fourteen essays, first published in 1943, Herbert Read extends and amplifies the points of view expressed in his successful pamphlet To Hell with Culture, which has been reprinted here. The 'politics of the unpolitical' are the politics of those who strive for human values and not for national or sectional interests. Herbert Read defines these values and demands their recognition as a solvent of social and cultural crises', and looks forward to the future with constructive vision. This book will be of interest to students of politics, history, and philosophy.

This book, first published in 1957, is a collection of Herbert Read's essays on various topics. The essays explore many different subjects and themes, including art, literature, religion and philosophy. This title will be of interest to a variety of readers.

This anthology, first published in 1939, aimed to present the English ideal in its various aspects as expressed by representative Englishmen. This book will be of interest to students of literature and to the general reader.

This book deals with the everlasting problem of war and peace. In it, the author argues that mankind must be predisposed for peace by the right kind of education and he discusses how to devise methods of education which will prevent war.

First published in 2000. This is Volume III of seven in the Library of Philosophy series on Philosophy of Religion and General Philosophy. Written in 1924, this is a collection of essays on Humanism and the Philosophy of Art by Thomas Hulme who published five poems as well as commentary and various articles. The current volume has been collated from his daily notebooks and unpublished manuscripts as well as his introduction to Sorel's Reflections on Violence.

A stunning visual history of sculpture from prehistory through modernity This book presents an aesthetic of sculptural art, which has too often submitted to the rule of architecture and painting. Herbert Read emphasizes the essential and autonomous nature of sculpture—“Form in its full spatial completeness,” in the words of British sculptor Henry Moore. The Art of Sculpture provides historical support and theoretical rigor to this conception. Along the way, this incisive and wide-ranging book takes readers on a breathtaking tour of great works of sculpture from prehistoric times to the modern era.

Sir Herbert Read (1893-1968) was a highly influential English critic and poet. Originally published in 1929, this volume gathers together nine of Read's essays, with each one covering a different author. The essays, all of which made their first appearance in The Times Literary Supplement, are centred around the concept of 'glory' and its manifestation in works of a particularly transcendent nature. Written in an engaging style, this book will be of value to anyone with an interest in literature and literary criticism.

This book, first published in 1947, is collection of critical essays by Herbert Read that had not been previously published in book form. The essays cover several different subject areas, including literature, art, architecture, and film, from a span of twenty years. This title will be of interest to a variety of readers.

Herbert Read was a maverick character in the cultural life of the twentieth century. A radical leader of the avant garde in the 1930s, and an anarchist revolutionary during the war years, by the time of his death in 1968 he had become a key figure at the heart of the British cultural establishment. To Hell with Culture offers readers an ideal overview of the ideas that marked out this seminal and hugely influential thinker. It is a controversial work that engages the reader in a wide range of topics, from revolutionary art to pornography.
Adept at challenging assumptions and penetrating to the heart of any issue, Read's deft prose encourages the reader to think critically, to question and to subvert the voice of authority, of whatever political or cultural creed. Only through such a critical evaluation of culture, Read believes, can one appreciate the art that arises from the 'unpolitical manifestation of the human spirit'. At a time when authority and value are questionable terms, and when culture itself is a contested concept, Read's is both a challenging and an enlightening voice.

This is the classic introduction to Chinese calligraphy. In nine richly illustrated chapters Chiang Yee explores the aesthetics and the technique of this art in which rhythm, line, and structure are perfectly embodied. He measures the slow change from pictograph to stroke to the style and shape of written characters by the great calligraphers. Speech and writing are two organs of the same human impulse--the conveyance of thought: the one operating through hearing, the other through sight; the one by sound from mouth to ear, the other by form or image from hand to eye. But each can do something besides convey thought. Spoken words can be so arranged as to discharge aesthetic musical significances, as in much Western poetry. Written words can be formed to liberate visual beauties; and it is these which form the subject of this book. In addition to aesthetic considerations, the text deals with such more practical subjects as the origin and construction of the Chinese characters, styles, technique, strokes, composition, training, and the relations between calligraphy and other forms of Chinese art. For the third edition the author has added two new chapters: Calligraphy and Painting discusses the dependence of Chinese painting on calligraphic training and techniques; Aesthetic Principles explores the fundamental concepts underlying every Chinese art form. Chinese Calligraphy is a superb appreciation of beauty in the movement of strokes and in the patterns of structure--and an inspiration to amateurs as well as professionals interested in the decorative arts.

At the turn of the last century C. G. Jung began his career as a psychiatrist. During the next decade three men whose names are famous in the annals of medical psychology influenced his professional development: Pierre Janet, under whom he studied at the Salpetriere Hospital in Paris; Eugen Bleuler, his chief at the Burgholzli Hospital in Zurich; and Sigmund Freud, with whom Jung began corresponding in 1906. It is Bleuler, and to a lesser extent Janet, whose influence bears on the studies in descriptive and experimental psychiatry composing Volume 1 of the Collected Works. This first volume of Jung's Collected Works contains papers that appeared between 1902 and 1905. It opens with Jung's dissertation for the medical degree: "On the Psychology and Pathology of So-called Occult Phenomena," a detailed analysis of the case of an hysterical adolescent girl who professed to be a medium. This study foreshadows much of his later work and is indispensable to all serious students of his psychiatric career. The volume also includes papers on cryptomnesia, hysterical parapraxes in reading, manic mood disorder, simulated insanity, and other topics.

This third volume of Jung's Collected Works contains his renowned monograph "On the Psychology of Dementia Praecox" (1907), described by A. A. Brill as indispensable for every student of psychiatry--"the work which firmly established Jung as a pioneer and scientific contributor to psychiatry." Also included are nine other papers in psychiatry, the earliest being "The Content of the Psychoses," written in 1908, and the latest being two papers, written in 1956 and 1958, which embody Jung's conclusions after many years of experience in the psychotherapy of schizophrenia.